I see it as the coordination of activities related to the preservation of the collection and making it available to study and for exhibition.

189

It's multifaceted. You may be working with one type of material one day, maybe furniture, on an issue related to restoration, and the next day we might be working on the interpretation of the house itself, the rooms, the story of it.

179

You have to wrestle. You come here to wrestle. If you don't wrestle, you lose. This call was correct. We didn't wrestle. That's not what we want the program to be known for.

126