I don't think there's anything wrong with playing poker for entertainment. I think it can consume some people who take it too far, like drugs or alcohol or anything else. I think that's something you see more with online poker, which you can play anytime without ever having to stop, so it doesn't feel real.

We're going all out to celebrate Aspen's Winter Olympic history and support Aspen's next generation of Olympians.

The approach of playing out the events of Our Town on an open stage engages the audience directly and essentially makes it a character in the play. The play uses flashbacks and an awareness of the fluid nature of time as it explores the significance of fully living the present moment.

The coaching staff has got these players believing in themselves. They're walking with a little swagger. They would jump off a bridge for [Taylor] right now.

Transportation should be the top issue. It was last session and it should be for this session and the next several.

It's exciting to have so many Olympic athletes with ties to Aspen supporting the club.

This approach was radical in 1938 when the play was first produced. Audiences were accustomed to realistic plays that often elaborately emphasized the specific details of time and place and, for Wilder, lacked the quality of universality and theatricality.

We were scrambling to find a coach.