Perhaps what I do not manage to operate rapidly enough is the passage between the outside and the inside.
It is totally different from my philosophical work.
This is an image of Babel.
Philosophically speaking, the whole show deals with different aspects of the paradoxes of hospitality.
It was the first play we were ever involved in together, ... and, because it was concerned with the condition of French convicts, we performed it - we began to perform it - in front of a French prison. It lasted for precisely four minutes because the police arrived and closed it down.
The natural characters in the drama are not supposed to be philosophical, nor are they people with any refined kind of knowledge. They may be particularly blind or they may be suffering from the heaviness of the law, exactly as people have been suffering for 5000 years.
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