Sometimes the solitary voice can be the best one.

The fundament of a superhero is the guy in tights saving innocent people from bad things. It's amazing how infrequently that seems to happen in superhero comics these days.

Those of us who wanted to test the boundaries of what a superhero comic book could do, unfortunately broke those boundaries and the results have not all been very good. We pushed against the old walls, and they fell-but nothing much has been built to replace them. And now the roof is leaking and the sewer's backing up.

Or at least the ends justify being really mean!

I will throw all my best efforts into it, my thoughts and political observations, but ultimately I want to create a narrative that keeps you turning the pages and leaves you with a sense that this thing has a reason for being there.

What I want to bring back to superheroes with this project is a sense of play. Things have gotten so dreary. The heroes have gotten so ugly that even their muscles have muscles.

You can't have virtue without sin. What I'm after is having my characters' virtues defined by how they operate in a very sinful environment. That's how you test people.

Think of me as the weathered sheriff coming back into Dodge 'cause the youngsters are shooting up the church and scaring the horses and not doing right by the women.

I was always into noir. When I lived in Vermont I was drawing stuff that looked like an amateur doing Sin City. When I first got to New York I was swiftly informed that they only did guys in tights.