"Alan Schneider" was an United States/American theatre direction/theatre director responsible for more than 100 theatre productions. In 1984 he was honored with a Drama Desk Special Award for serving a wide range of playwrights. He directed the 1956 American premiere of Samuel Beckett's Waiting for Godot, Edward Albee's Who’s Afraid of Virginia Woolf? and Tiny Alice; the American première of Joe Orton's Entertaining Mr Sloane, Harold Pinter's The Birthday Party (play)/The Birthday Party, as well as Pinter's The Dumb Waiter, The Collection (play)/The Collection, and a trilogy of Pinter's plays under the title Other Places (including One for the Road (Harold Pinter play)/One for the Road, Family Voices, and A Kind of Alaska); Bertolt Brecht's The Caucasian Chalk Circle; You Know I Can't Hear You When the Water's Running; and Michael Weller's Moonchildren and Loose Ends (play)/Loose Ends.

Mr. Schneider also directed Samuel Beckett's only direct foray into the world of film, entitled "Film (film)/Film", The short subject starred Buster Keaton and its direction is often mis-attributed to Samuel Beckett himself, notably during an exhibit at the Louvre in November 2006. "Film (film)/Film" is silent and based around Bishop Berkeley's principle 'esse est percipi' (to be is to be perceived).

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I see the team has made huge strides this year, especially when considering Hamilton is part of one of the toughest tennis conferences in the state.

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There was an implied threat there to the regional manager, and that is why we charged this as an attempt.

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We went into spring break with a 3-3 record, with four close matches separating us from being undefeated.

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