I had the ability to show music through gesture. With good conductors, you should be able to watch them on TV, turn down the sound and still know what piece they're conducting by watching their gestures. . . . Otherwise, you're just a traffic cop.

I had to put down the violin. It was devastating. . . . But if it hadn't happened I never would have considered conducting. I went through a total career turnaround.

The violin came naturally, and it really fit me. When I picked it up (and placed it under the chin), it looked like it had grown there. It just fit.

Being a cover conductor is really like being an assistant conductor because I'm there as the orchestra rehearses with the (full-time) conductor. I'm there following along (on the score) and watching. It's just incredible to be around one of the best orchestras in the world.