I worked in restaurants and did what I needed to do to act. Theatre is a hard life. It sucks a lot of time, and you're rejected a lot. For six years, I acted for free. Now I make a living acting, but I think there are only five percent of us who can do that. I'm ready to try more.

What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.

There's a part of me that wants to be known and make a comfortable living but still be able to go grocery shopping. My overall idea of success is having people I want to work with want to work with me.

I pray to be of service to the playwright, the audience, the other actors and my character.

I always wanted attention, and I realized I could make people laugh.

I get bored at the theatre a lot because I notice that there's not always a connection between the actors. They may be technically proficient, but they're not surprising each other. I'm thrilled by actors who make choices that are surprising.

I realized that I wanted to play characters and do traditional theatre. I wanted to make believe again. I like putting on a costume and pretending to be someone else for a few hours, and I have a great respect for playwrights.

The first thing I look for is the humor, because you can tell what the character's fears and insecurities are through the humor.

College was a great time. I partied there, but I also learned how to act.