"Guy Bennett" is a poet/translator and author. He has a Ph.D. in French Literature from UCLA. Recent collections of poetry include Self-Evident Poems (2011), and, with Béatrice Mousli, of Poésies des deux mondes: un dialogue franco-américain à travers les revues, 1850-2004 (Paris: Ent'revues, 2004). His poems have appeared in magazines and anthologies in Brazil, Canada, France, Italy, Mexico, Morocco, and the USA. Recent translations include works by Nicole Brossard, Jean-Michel Espitallier, Mostafa Nissabouri, Valère Novarina, Jacques Roubaud, and Giovanna Sandri. Guy Bennett is the publisher of [http://www.mindmadebooks.com/ Mindmade Books], co-editor of [https://blogs.otis.edu/seismicity/ Otis Books / Seismicity Editions], and is a contributing editor to the New Review of Literature (USA) and Électron Libre (Morocco). He lives in Los Angeles and is a Professor in the Liberal Arts and Sciences Department and in the Graduate Writing program at Otis College of Art and Design.

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The art market is incredibly healthy and stable.

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An element of it is investment driven but our research has found that most of it is from incredibly wealthy people who have done their homework and have become incredibly sophisticated buyers in a short space of time.

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The sellers felt that a guarantee wasn't necessary when selling such iconic works in a market as majestic as it is today.

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Hong Kong is a magnet for the Asian art world. We used to concentrate on Tokyo, but the focus has moved to Hong Kong.

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It is a truly majestic portrait.

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