Reading a novel is altogether different from reading a newspaper, but it's all language. If you go to a concert, you have some kind of reaction to it. If the newspaper is Chinese, you can't understand it. But if you hear something by a Chinese composer, if it's playful, for instance, you understand.

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His partitioning of the octave in the first ten bars places Varese with Scriabin and the Schoenberg circle among the revolutionary composers whose work initiates the beginning of a new mainstream tradition in the music of our century.

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