Onscreen, it has a quality like nothing else.

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I didn't want a period piece because embroidering is definitely not an art of the past, at least not yet. I suppose the story could be set anywhere between the 1960s and the present . . . but I did want to make sure no one used cell phones or worked on computers because that would ruin the sensual atmosphere.

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I wanted to tell a story about two women who work together and help each other.

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When you sew, it takes time, so you don't think the same way as you do in normal life. It's more dreamlike. I think Claire is able to stop time through embroidery and become more mature during its process. And she starts accepting herself, her body and the child through it.

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