I know Ray's style. I've known it since we were little. I give him a lick on the guitar and he knows what's coming. There is that sibling harmony. That same-heartbeat kind of thing. He knows what I want to say. It is like finishing each other's sentences.

We will have oxygen on the side of the stage, ... We don't look our age. I think music keeps us young. Not the music business -- it's the music that keeps us young.

Boy, it feels good, ... You remember the old songs and the little movements and the harmonies. We'll miss a lyric or two, so we work on that.

Ray hooked us up with that. The song is called 'Whole Lot of Nada,' and we're going to play it that night. We're in the works of shopping it around to some people for someone to sing it.

We met the first day and sang in the choir together, ... We played guitar at churches. We used to borrow the priests' guitars and take the microphones from church to sing. So many times we would sing in the bathrooms in Cathedral because the acoustics were awesome.

The last song we wrote together, he went to a chord I was about to go to. I'm going to that chord and he was there already. It shows in the music. I was fortunate to write with big names, but the songs that stood out are the songs I've written with my brother.

But they're not interested in joining. They think we're just a bunch of old men who play bingo and cards.