"Drama Desk Award for Outstanding Director of a Play/Outstanding Director of a Play" 1994 Carousel (musical)/Carousel"Drama Desk Award for Outstanding Director of a Play/Outstanding Director of a Play" 2006 The History Boys

/ olivierawards = "Laurence Olivier Award/Best Director"2005 The History Boys

/ tonyawards = "Tony Award for Best Direction of a Musical/Best Direction of a Musical" 1994 Carousel (musical)/Carousel"Tony Award for Best Direction of a Play/Best Direction of a Play"2006 The History Boys

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"Sir Nicholas Robert Hytner" (born 7 May 1956) is the Director of London's Royal National Theatre/National Theatre (until March 2015) and a theatre, film and opera director whose major successes include Miss Saigon, The History Boys and One Man, Two Guvnors.

More Nicholas Hytner on Wikipedia.

I think there would have been a time when the basic history would have been common knowledge. You could have been certain that when the king comes on at the beginning -- 'So shaken as we are, so wan with care' -- they know he's wan with care because the country's been in a state of perpetual civil war since he deposed the previous king, Richard II.

I had a guess what it might be about, but this took me completely by surprise. And he delivers a play, as he puts it, before he truly knows what it's about. He wants a conversation about what it is that appears to be working, and where it is he appears to be going. Until he's got to that point, nobody knows about it.

There is a new climate of religious intolerance in Britain. Whatever the government says, this new bill is pandering to that intolerance.

They are all kind of the same letter, all handwritten or typed. They all assume that the play is about Paul's being homosexual and misogynist; they assume it's going to be a prurient hatchet job.

It's almost as if he's challenging you and himself to go further with the stuff that may be the most painful to write. The relationship between Irwin and [student] Dakin was there, but it is written with much greater daring.

Mike was a little nervous ... We weren't, because his reputation is so immense.

That would be doing to our audience and our repertoire what I'm moaning about.

They have been working on it for the past nine months and I have been absolutely thrilled by the stuff they have been producing together.

Even in rehearsals, I didn't realize it would be as popular as it proved. After I read it, I said: 'It's brilliant, but it's quite esoteric.' We scheduled 70 or 80 performances.