It was kind of schizophrenic at times because she was still mom. But after a while, in a weird way, I really started thinking of her as Florence. In fact, I started calling her Florence because on the set 'Mom' doesn't work. I expected everything from her that I would from a regular producer.

I hoped the chemistry was going to be there. There were six leading actors, and I wanted them all to mesh. I didn't know how they were going to relate. But a lot of them came out of a certain Hollywood generation, so they all knew each other and it was like a reunion. When I felt that click, I breathed a sigh of relief.

She rose to the occasion. She knew Boynton Beach, and that helped a lot because we were working on a low budget, but at the same time we still wanted it to look like a big Hollywood movie.

During filming they were amazingly gracious -- they put up actors, we used guest bedrooms for hair and makeup, for holding areas.

It was an idea, I thought, that could almost be written as a helping tool. People seemed to like the idea that we were doing something like this. I did not go out and solicit from my friends. They came to me.

In the 20 years I've been making movies, my mother has suggested ideas, but either we didn't agree or I was working something else.