Charlotte Rampling
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"Tessa Charlotte Rampling", , is an English actress. In a career spanning fifty years, she has appeared in English language, French and Italian cinema. She was appointed an Officer of the Order of the British Empire in 2001, received an Honorary César in 2001, and France's Legion of Honour in 2002. She was married for 20 years to the French composer Jean-Michel Jarre.

Rampling's film career began in 1965. Her films include Georgy Girl (film)/Georgy Girl (1966), The Damned (1969 film)/The Damned (1969), The Night Porter (1974), Farewell, My Lovely (1975 film)/Farewell My Lovely (1975), Stardust Memories (1980), The Verdict (1982 film)/The Verdict (1982), Angel Heart (1987), The Duchess (film)/The Duchess (2008) and The Eye of the Storm (2011 film)/The Eye of the Storm (2011). She has been nominated four times for a Cesar Award: for On ne meurt que 2 fois (1985), Under the Sand (2000), Swimming Pool (film)/Swimming Pool (2003) and Lemming (film)/Lemming (2005). She received an Emmy Award nomination for the 2012 BBC miniseries Restless (2012 miniseries)/Restless, and won Silver Bear for Best Actress/Best Actress at the 2015 Berlin Film Festival for 45 Years.

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It isn't sexual tourism as we know it now -- they want to imagine they are having love affairs. (Ellen) is looking for a dream of being loved, caressed and looked after by someone who gives her no opposition, ... The Damned.

She places in this young man all the desire and all the hope that she yearns for in her life, which finally turns out to be an imaginary life, but her imagination makes her really feel something for him.

I am fascinated by the variety of social content and political content in the films we will be judging. This is the kind of cinema I like a lot and the kind I think is very important.

There are a lot of men of the same age in the same situation, so there will always be encounters to have as long as you're ready for them.

I am always very intrigued and very fascinated by the variety of social comment and political comment and high-powered emotional content that you get through the films in Berlin.

This is a political festival. This is a festival that talks about brave things and mirrors them to the world. It talks about things that are covered, and the films [uncover] them, so that public opinion can have a look at things perhaps [people] knew little about or had different feelings about.

You go though a period of immense pain when reality meets the dream.

We are on the verge of this situation all our lives.