Marlon Brando
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"Marlon Brando, Jr." was an Americans/American actor and one-time director. He is hailed for bringing a gripping realism to film acting, and is widely considered to be one of the greatest and most influential actors of all time. A cultural icon, Brando is most famous for his Oscar-winning performances as Terry Malloy in On the Waterfront (1954) and Vito Corleone in The Godfather (1972), as well as influential performances in A Streetcar Named Desire (1951 film)/A Streetcar Named Desire (1951), Viva Zapata! (1952), Julius Caesar (1953 film)/Julius Caesar (1953), The Wild One (1953), Reflections in a Golden Eye (film)/Reflections in a Golden Eye (1967), Last Tango in Paris (1972) and Apocalypse Now (1979). Brando was also an activism/activist, supporting many causes, notably the African-American Civil Rights Movement (1955–1968)/African-American Civil Rights Movement and various American Indian Movements.

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An actor's a guy who, if you ain't talking about him, he ain't listening.

An actor is at most a poet and at least an entertainer.

I don't think it's the nature of any man to be monogamous. Men are propelled by genetically ordained impulses over which they have no control to distribute thair seed.

Acting is the expression of a neurotic impulse. It's a bum's life. The principal benefit acting has afforded me is the money to pay for my psychoanalysis.

Privacy is not something that I'm merely entitled to, it's an absolute prerequisite.

If there's anything unsettling to the stomach, it's watching actors on television talk about their personal lives.

With women, I've got a long bamboo pole with a leather loop on the end. I slip the loop around their necks so they can't get away or come too close. Like catching snakes.

There's a line in the picture where he snarls, 'Nobody tells me what to do.' That's exactly how I've felt all my life.

I have eyes like those of a dead pig.

If we are not our brother's keeper, at least let us not be his executioner.