[To date, Shane Mungit remains Weller's] most interesting role. I thought Richard [Greenberg] did an amazing job of writing such a strangely sympathetic, but dangerous, narrow-minded young man. He was an amazingly complicated character. ... I just worked on the sympathetic part. To me, what made that character wonderful was his intense, emotional need. That was the main challenge. Frederick Weller
[To date, Shane Mungit remains Weller's] most interesting role. I thought Richard [Greenberg] did an amazing job of writing such a strangely sympathetic, but dangerous, narrow-minded young man. He was an amazingly complicated character. ... I just worked on the sympathetic part. To me, what made that character wonderful was his intense, emotional need. That was the main challenge.
The financial security [in TV] is incredible. I'm married and would like to start a family, and nothing's better for that than a television show. It keeps you in one place. Frederick Weller
The financial security [in TV] is incredible. I'm married and would like to start a family, and nothing's better for that than a television show. It keeps you in one place.
Quite a wild ride. It was great to be with the play as it progressed, and to see all the different flavors of audience that you got. Frederick Weller
Quite a wild ride. It was great to be with the play as it progressed, and to see all the different flavors of audience that you got.
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![[His role of Glengarry office manager John Williamson, a sort of cobra but with less warmth, marks Weller's second Broadway success in a row directed by Joe Mantello — coming on the heels of his memorable bigoted baseball pitcher Shane Mungit in Richard Greenberg's Take Me Out .] It's a great feeling to be in a hit that has won the Tony [as Best Play], ... as it is now [Best Revival]. -Frederick Weller](/quoteImage/204665/His-role-of-Glengarry.jpg)